Ordinary bloke gets demon heart-transplant and finds it does more than just pump blood. Plus, he now has a new job, and life has got more complicated.
What I Liked
Lucian. Lucian (who doesn’t like being called ‘Lucy’, but had probably better get used to it) rang true for me. He’s bright but lazy, making a reasonable living prodding buttock and collecting debts – and, later on, art. He’s allowed himself to drift to where he is, without thinking about any of the morality involved – and he’s so overconfident you just know he’s in for a shock. Shocks. In short, he comes off as a realistic twenty-something lad with more testosterone than brains (and since he’s a bright lad, that’s a lot of testosterone). However, he has enough self-awareness to make him someone I would actually like to spend time with.
The whole demon-heart business. This is a new idea, or at least a sufficiently new spin on an old idea that it looks new. There’s some interesting hints that we’ll see more ramifications later on in the series.
Lucian again. Lucian doesn’t go from ordinary ass-kicker to supernatural hero overnight; he does what most twenty-something lads would do in that position: he screws up. Repeatedly. It’s the testosterone thing again. It can be irritating to watch, but Ibsen made the right decision, I think. Lucian is a more interesting character for being just a bit morally ambiguous, just a bit too laddish for his own good. It’s just not realistic for an ordinary person to be given some kind of supernatural power and then to immediately think “With great power comes great responsibility; I must be sensible and mature from now on.”
The magic system. We don’t actually get much information on the magic system, but Ibsen seems to have some interesting ideas.
What could have been improved
Pacing. Apart from a few blips, everything seemed to go a bit too much according to plan. There wasn’t that sense of imminent failure and risk that heightens the tension late on in most books.
Character interactions. I’ve observed before that the best urban fantasy (at least, for me) tends to be where the main character has a team he can bounce off. Where the character is isolated, either because he has no friends, or because his colleagues aren’t sharing, it makes the story a bit two-dimensional. I’m hoping that in further books, Ibsen will lighten up and let the other characters have a bit more page time (come on, Ibsen, you’ve set up some really good stuff and I want to know!).
This is a solid three-star read for me; I can’t quite justify giving it four stars, not when I compare it to such authors as Kim Harrison, Faith Hunter, Jim Butcher et al. However, I think Ibsen definitely has the potential to get there. Technical things like pacing can always be sorted out with practice; what Ibsen has is the ability to write an engaging character whom you’re actually interested in reading about – and I think that’s more difficult to learn.
So, Ibsen is a new author I’m going to read more of. I love it when that happens. 🙂
I’ve already bought Book 2, Roaring Blood, which has zombies.